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Amethyst Kelly (born 7 June 1990), better known by her stage name Iggy Azalea is an Australian songwriter and rapper. Azalea started rapping at 14 in Australia She is perhaps better known for her promotional songs “Pu$$y” and “My World” whose music videos went viral on YouTube.

Azalea signed a record deal with Grand Hustle /Inerscope Records in 2012. Her debut studio album “The New Classic” will be released in June 2012. Iggy Azalea is getting a co-sign from T.I. The Atlanta rapper will executive produce the newcomer’s upcoming debut.

RELATED LINK: 2 Chainz Signs with Def Jam

This chick can spit. The game needs a new female face. I predict big things from this white girl gone Black…lol.

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Producer of the Russ Parr Morning Show M-F 6-10am

On-Air Sunday’s 10-2pm

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Along will their new album, Slaughterhouse is hitting the road in the beginning of March. Take a look at the dates below.

March 8, 2012—Trees/Southside Dallas, TX
March 9, 2012—Warehouse/House of Blues Houston, TX
March 10, 2012—Beauty Ballroom Austin, TX
March 11, 2012 – White Rabbit San Antonio, TX
March 16, 2012—House of Blues Myrtle Beach, SC
March 17, 2012—Beachem Theater Orlando, FL
March 18, 2012—Revolution Miami, FL
March 22, 2012—Masquerade Atlanta, GA
March 23, 2012—The Cannery Nashville, TN
March 24, 2012—The Fillmore Charlotte, NC
March 25, 2012—SoundStage Baltimore, MD
March 26, 2012—Wilbur Theatre Boston, MA
March 27, 2012—Trocadero Theatre Philadelphia, PA
March 28, 2012—9:30 Club Washington D.C.
March 29, 2012—Best Buy Theater New York, NY
March 31, 2012—Lava Lounge (West KY Univ) Bowling Green, KY
April 1, 2012—Metro Chicago, IL
April 2, 2012—Royal Oak Music Theatre Detroit, MI
April 5, 2012—The Clubhouse Tempe, AZ
April 6, 2012—Music Box Los Angeles, CA
April 7, 2012—The Regency Ballroom San Francisco, CA
April 8, 2012—Hard Rock Cafe Las Vegas, NV
April 9, 2012—The Galaxy Santa Ana, CA
April 10, 2012—Porters Pub/4th and B San Diego, CA
April 11, 2012—Velvet Jones Santa Barbara, CA
April 14, 2012—Showbox at the Market Seattle, WA
April 16, 2012—Harry O’s Salt Lake City, UT
April 17, 2012 – Sunshine Theatre Albuquerque, NM
April 18, 2012—Cervantes/Bluebird Denver, CO
April 19, 2012—Fox Theatre Boulder, CO
April 20, 2012— TBD
April 21, 2012—Granada Lawrence, KS
April 22, 2012—Epic Minneapolis, MN
April 24, 2012—Rave Milwaukee, WI
April 25, 2012—Kalamazoo Theatre Kalamazoo, WI
April 26, 2012—The Vogue Indianapolis, IN
April 27, 2012— TBD
April 28, 2012—House of Blues/Grogshop Cleveland, OH
April 29, 2012—Omni Toledo, OH
April 30, 2012—Headliners Louisville, KY
May 1, 2012—Toad’s Place New Haven, CT
May 2, 2012—Lupos Providence, RI
May 3, 2012—Wilbur Theater Boston, MA

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T.I. RECENTLY SAT DOWN WITH BILLBOARD JUICE FOR AN INTERVIEW. CHECK OUT WHAT T.I. SAYS ABOUT EMINEM AND HIS SUPPORT. AND HOW HE FEELS ABOUT EMINEM’S MOVE WITH SLAUGHTERHOUSE AND B.E.T. CYPHER.

Is this hot or not? Tell us your thoughts on the track in the comments.

Yelawolf f. Gangsta Boo & Eminem, “Throw It Up” by The FADER

Spotted at The FADER

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2011 BET Hip-Hop Awards Cyphers [VIDEO]

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Lil Wayne

Check out behind the scenes video from the shoot courtesy of GQ!magazine:

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Lyrics transcribed by HOTHIPHOPDETROIT.COM. Did you watch the show? Tell us what you thought of this cypher below on the message board using your Twitter or Facebook profile to log in and comment.

BET Hip Hop Awards 2011

2011 BET Hip-Hop Awards Cyphers

2011 BET Hip Hop Award Performances

[Eminem]
Welcome to Detroit
This is the BET Shady 2.0 cypher, 2011
Myself, Slaughterhouse, and Yelawolf

White dog, get em!

[Yelawolf]
Put these muthafuckas in a box and I send em away
Put em in a gray ‘lac and pop the trunk
And throw em in the back, jack
Ha, dig em a grave
Put a brick inside that ? when I put em in a page
Moving keys I can relate, cause I live in the caine
I throw up the A, I take em to school, I give them a grade
An easy E for effort, that’s the WWA
White with an attitude, alphabet soup is on my plate
All I got is Z’s they sleepin’ on me, I can’t get em away
I spoon feed em ? room full of deceivers
Believe I’m making it rain
Cause all they see is the clouds
And I watch from the couch of the VIP like a potato
A bunch of meatheads, like fuck it, I’ll just feed em a cow
Plenty of white boys to pick from this year
But before you pick a pepper
You better pick up your heater
Cause even Peter Piper could pick up a mic
But what it’s like to pick a fight with me is like putting Nikes on a cheetah
I speed up, released in my ? Adidas
I’m out this, drinking Sprite by the 2 liter

[Joe Budden]
Say I’m from the new school
I’mma say check your tone and watch your mouth
If they teaching how to Dougie, then I’m condoning dropping out
Forced a while, y’all birthed me then gave me up
I just perfected being hip-hop’s foster child
Now check it: don’t blame y’all for being trash fans of coppin’ it
Radio’s the crime scene, the masses are the hostages
In my youth I’d throw shots, the feds was dodging it
I’m grown: I ain’t watching the throne, I’m sabotaging it
You see that 4-headed monster in the storm looms
Snipe em from a distance: the scope got a long zoom
You Super Mario thugs is in the wrong room
Gotta figure over here, you won’t get bigger if you on shrooms
If it was left to me, I’d revive what the game be about
I done took the wine out of Amy House
Enough raps from you scrub cats bout cockin’ a snub back
Wayne couldn’t teach me how to love that
But I have this bitch from uptown, she my summer bunny
Both parents broke, but she come from money
Think my bread is her paper to burn
So I lock her out, and now she doubt David is Stern
She’s so bad, I make her hit the telly from a taxi
Then dead her in the Holiday Inn, learned that from Max B
That’s why haters of every kind wanna send me Llamas
I made it right before their eyes like I was Beni Hana
Is it me? Or is what I’m hearing just pitiful?
Airwaves the same, now the stereo’s typical
My skin’s thick, so the critics ignore it
So unafraid to die, you’d think I did it before
The boys robbin with the trash talk
Magical walk with the black ball
Way I bounce off the ass forward with cap Porsche
Glass your, hoodie amass would be the black ? with no passport
Body be found in a mansion in one of my trap doors
If punks had award your status or it’s categor-
Probably be that of awards between Michael Rappaport & Kenny Latimore
I know Hip Hop’s alive and well
If it died, you other crews wouldn’t survive the smell

[Crooked I]

I squad a victim, the plot’ll thicken when the clock is tickin
I caught him slippin’, I gotta give a shot
I hit him with proper spittin
Hottest writtens and compositions
So competition’s a contradiction, somebody mention they got a crooked
Holly ? we probably different, got Gotti henchmen
Opposition, I’ll body quick as Bugatti engines
I’m on a mission to get richer
The sickest lyric kickin ?
Weak lyricists get disfigured, sip liquor
Spit like a sick mixture of Notorious, Pun, and L
Get the big picture?
The poster, I’ll roast ya
My mind so deadly it’s just like to being as close to a holster
It’s over, control my whole coastal region like I’m supposed to
Flow is going postal even
Open season, heart close to freezing
Ruthless is easy
Approach, I’m squeezing, believe me
Dopest West Coaster breathing
So most ya hope I’m vegan, nope I’m beefin
Rappers need to keep it trill
Give me a beat to kill, too many people still eating sleeping pills
People sleeping on my ether skills
Ay, y’all ain’t even real
You bout to die in this cypher
Before you die, you should do the Jada and leave a Will

[Joell Ortiz]

I ain’t a rap dude, I’m a dude who rap
Before this, I was moving crack
Killers y’all become when y’all rhyme I salute and dap
And if I blink then remove your snaps
You ain’t cool, you whack with your foolish act
Skinny jeans don’t mean yo ass shoot, it means your booty claps
Don’t play like Tyler Perry
This the Slaughterhouse of pain
Flow brown, tight, and heavy
When it come to 16s, I’m a feign
Seen in the studio near a needle with a mean lean
Probably writing bars that ? gettin my Yaowa on
Man, all these Olajuwons, we the dream team
This is an all day slaughter
They feigning for us to break like Beyonce’s water
The four quarters doing all the eating
And ya’ll gotta know why I made the cut, I’m Puerto Rican
Ortiz keep they fire ready
And trying to put me out’s like trying to steal a transvestite from Eddie

[Royce]

I’m do or die dope
And you can make the sticker sittin
On the door of that Phantom
Your suicide note
Hi Rihanna.. is Nicki living with you?
Let me know so I can buy binoculars and telescopes
Hi Rihanna.. I don’t need to know you better
You tell me you love my music again? We go together
Bye Rihanna.. now back to y’all fools
We rock out like the outside of a guitar school
Thousand dollar frames, I prefer to see the world through
Don’t ask me nothing about Budden, I ? my girl too
You ask me why I ?
I say it’s cheaper to
That’s why I ride around in a Rolls like Wiz Khalifa do
Rappers I’m your daddy
I tell you straight as this
You don’t kill, but your father will like Jayden Smith
I tell you like I tell my Spanish chick
You fly, but I ain’t going down on no hairy shit
So get your wax on like Daniel San
Or I’mma have to run like De la Hoya in drag when cameras come
Bring every deceased rapper back to see his wife
While I’m having sex with Jessica Alba via Skype
This is what 2 million albums sold, the album is gold
Look like without having to sell your soul

[Eminem]
Wait can I rap?

Lyrical miracle spirtual individual criminal sublimital
In your swimming pool

You about to see beasts destroy
It’ll never be restored
When I unleash these beastly hordes on your CD stores
Wanna stop it? You gon’ need a (?), at least three swords
A license to ill from the Beasty Boys, three quoji boards
A sqeegi and please be warned, do ask what the sqeegi’s for
Or the holy water, acid raps thatll eat these floors
Eat a whole in a rhyme book, do you see these horns?
And as for me you ask when Im gone “will he be mourned?”
Is puke luke warm?
Should Casey Anthony do porn?
Can that chick fit a new born dead baby inside I frickin shoebox with a shoehorn
And smother it in chlorofoam so she can go get her groove on?
Can she duct tape and velcro a fetus?
Joell, Yela, tell Joe I need his empty box from his old shell toed adidas
So I can put these babies in the fetal position, to give elbows to the penis
Yeah big deal, I took some little kids big wheel and spit in his firggin big kids meal
Quit tryna bite me and pinch me, sit still
Did you just put your six inch heel through my benz windsheild?!
Is it dust we bout to kick up?
Can Yelawolf fit a fifth of rum in a big cup between in stickshift in his friggin pickup and drink like a hick redneck hill billy will til he gets hiccups!?
Flippin the script up like Mike Vick gettin his junk bit by a pit, yup, Ima sick pup
Id be a horrible magician, cause Ill fuck a trick up
Fix your lips up to say something fly, or zip up
A B, lets C, you said you were gonna do X Y Z
Till you fuck around and get dropped like an E
When you add an I-N-G
Do put a K infront of that though, when I MC
Im not the king of the microphone booth, its more like a phonebooth
Superman in this bitch, Kryptonite won’t do
It gives me more power, I beat the (?) poison
Eat rat poison and take meteor showers
Fresh outta the mental hospital

RELATED LINKS:

BET Hip Hop Awards 2011

2011 BET Hip Hop Awards Cyphers

2011 BET Hip Hop Award Performances

BET Hip Hop Awards 2011

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The teens performed and released music together as ‘Soul Intent’ when they were in high school.

Chaos Kid came to Eminem’s defense in 2003 when a controversial demo tape featuring Em using the N-word was made public. “Marshall Mathers is not a racist,” Chaos Kid told MTVNews. “Although the songs were in bad taste, they were not intended to be taken seriously or even heard and do not represent the true sentiments of Eminem.”

Nate Dogg will forever be hip hop’s favorite hook man. In spite of his recent passing, his legacy lives on through his music and the experiences he shared with friends and peers. The Urban Daily pays homage to the late singer by sharing a few little known facts about hip-hop’s greatest featured player.

1. Served in the U.S. Marines.

At 16, Nate grew bored of the monotony of school. He dropped out of high school and joined the Marine Corps. He communicated, “I wanted to see if I was a man. So I joined the service as a litmus test.” Upon returning to Long Beach, he linked back up with Snoop Dogg and Warren G. The trio began to take their craft seriously and recorded a demo.  They christened themselves 213 after their area code.

2. Suge Knight delayed the release of Nate Dogg’s debut album.

Hale’s debut album, G Funk Classics Vol. 1 hit shelves in 1998.  G Funk Classics was completed in 1996. The lead single, “Never Leave Me Alone,” was put into moderate rotation. Escalating tensions between Nate Dogg and Death Row resulted in Suge Knight having the album shelved. When Nate Dogg left Death Row in 1997, he attempted to have the disc released on his own imprint, Dogg Foundation. Legal battles between the artist and his former label stalled the album even further. Once released two years after originally intended, critics panned the collection of songs for its dated sound.

3. Nate Dogg is the son of a preacher.

As a child, Nate began singing in his father’s church. His first church solo was at the age of four at Life Line Baptist Church in Clarksdale, Mississippi. He continued to refine his vocals at New Hope Baptist Church. He began attending that church once his family had relocated to Long Beach, California. Soon after, he stopped attending church altogether.

4. Never won a Grammy award.

In spite of being on a gang of hit records, Nate Dogg’s work has never been recognized at any award ceremony. The hip hop crooner has been nominated four times at the Grammy Awards and always went home empty handed. The first nomination came in 1995 when he and Warren G recorded “Regulate.” The most controversial nomination came in 2001. Although featured on the hit, “The Next Episode,” Dr. Dre and Snoop Dogg were the only people credited with the nod. Thereafter, he received nomination honors for his contributions to Ludacris’ “Area Codes” and Eminem’s “Shake That.”

5. Snoop Dogg’s “Ain’t No Fun (If The Homies Cant Have None)” was a personal milestone.

Many were familiar with Nate Dogg’s robust tenor because of his scene stealing performance on Dr. Dre’s The Chronic. He, however, felt he still needed to develop his style of singing in minor keys. Everything Nate Dogg envisioned for his style and image was realized on “Ain’t No Fun..” Raunchy and misogynistic lyrics paired with addictive melodies and an unapologetic attitude became his signature because of Snoop’s track.

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